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"We're here, we're queer, get used to it!" Representation of Particular Isssues of LGBT+ Community in TV Series after 2000
SKALÁK, Pavel
The diploma thesis focuses on selected specific issues that LGBTQ people (lesbians, gays, bisexuals, transsexuals, and other queer people) face due to their different non- heteronormative sexual and gender identities. Attention is paid specifically to issues of discrimination, stereotyping, partnership (marriage vs. registered partnership), parenthood, attributed promiscuity, and HIV / AIDS. The author focuses on fiction series broadcast between 2000 and 2021, which deals with queer topis and includes LGBTQ characters in the main or supporting roles, focusing on ways of depicting these characters and reflecting on selected issues they experience due to their identity. In foreign series such as Glee, Modern Family, Orange Is the New Black, Pose, Tales of the City, Sex Education, The Politician, It's a Sin and in the Czech series Ulice and MOST! the ways in which the series presents LGBTQ characters are analysed, in what discourse they are talked about and what effect these depictions may have on the majority heterosexual cisgender viewer. The thesis also provides an overview of the most common narrative archetypes of LGBTQ characters appearing in media production. These are also supplemented by examples of characters from the series of the last 20 years. Through a critical analysis of selected series and their reception, the author tries to point out the importance of portraying people with different sexual and gender identities and the influence of this television representation on the formation of opinions and attitudes towards LGBTQ people.
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Mediating social classes in television drama Most!
Burdová, Karolína ; Reifová, Irena (advisor) ; Štoll, Martin (referee)
This diploma thesis deals with the media representation of social classes and inequalities in the popular Czech series Most!. It focuses primarily on the conception of classes in Czech society and on aspects of the construction of everyday reality through the series. It also identifies the stereotypes, which have a potential influence on the formation of the viewer's opinions and attitudes. The thesis was created on the basis of a qualitative content analysis of the series with the aid of multimodal analysis, which focuses on linguistic and visual communication of the characters. To enrich this analysis, an element of the type was also added to the analysis. This type provides a comparison the characters with the social types in Czech society. The analysis of the paper was also inspired by the project Divided by Freedom, from the year of 2019, which divided society into several classes. The paper follows this research and class sorting and applies it to the series Most!. This diploma thesis defines social classes, the way in which they are represented and how this representation forms reality through stereotypes. Thanks to the element of type in the analysis, a set of typical characteristics was recognized which connected the series and living world.
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"Major Zeman": Comparative analysis of verbal narratives and TV serial presentations
Krausová, Martina ; Bílek, Petr (advisor) ; Činátlová, Blanka (referee)
The diploma thesis "Major Zeman": Comparative analysis of verbal narratives and TV serial presentations deals with two narrative media that depict the Zeman's story: a literary narrative by Jiří Procházka and its realization as TV series. Factors affecting the resulting form of both versions were identified by means of a gradual analysis of each of the versions. These factors were external interventions made by a management of a TV company and by its professional advisors as well as a mutual rivality of producers of the series. A focus to a TV audience and a literary ambition of Procházka, who attempted to step over the boundaries of a crimi genre, played their roles as well. These all resulted in two differently conceived fiction worlds. The narrative world, built on a myth-building principle, appears to be coherent, joined by an unifying ideological line. On the contrary, the TV series world appears to be scattered.
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